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He has been expecting some sort of coronation, but there are no coronations in California. There is a rabble among the gentry as well as the commonalty; a sort of plebeian heads whose fancy moves with the same wheel as these men?

This sort of extremism is not something that we've seen here. But Jason Kingsley is not from here.

This is not only terribly offensive, but astonishingly idiotic, this sort of thing merely inflames old divisions.

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Vielen Dank dafür! Links auf dieses Wörterbuch oder einzelne Übersetzungen sind herzlich willkommen! Fragen und Antworten. I'm sort of glad.

Ich bin eigentlich froh. What sort of car? Was für ein Wagen? What sort of ones? Was für welche? I could start getting used to that sort of view.

An diesen Anblick könnte ich mich gewöhnen. I sort of expected it. Examples are Obersalzberg, a television sketch show, which parodies The Office and Adolf Hitler, portraying Hitler and the Nazis as incompetent, lazy and confused bureaucrats.

Harald Schmidt , referring to and criticizing the importance of political correctness in Germany, suggested a Nazometer , a mock measurement device and causing a minor scandal.

The German traditional carnival includes many humorous and traditional elements. These are both in the Rhineland region, but the tradition is practised all over Catholic regions of Germany.

It varies with local traditions, but has two main elements:. Büttenrede : Gatherings of often thousands of people in halls, with humorous readings, music, dancing and drinking.

Common themes are puns, satire and roastings of celebrities. These events at the Mainzer Fastnacht and Kölner Karneval are televised across Germany by a major, public television network.

Umzüge : Parades in which clubs musical, sports, etc. The televised funny speeches are especially criticised by some, especially the younger generation, as outdated and dull.

This cultural gap between generations can be partly explained by the "tradition of tradition", referencing and mocking parts of the tradition itself to create humour.

Thus the humour is difficult to understand for outsiders, who grew up with foreign culture and humour, which plays the bigger part in comedies and sitcoms which are broadcast in Germany.

One distinct phenomenon of German humour since the emergence of television and the internet is the dubbing or redubbing of foreign language TV series and movies and bringing them into a completely new humorous context or one more humorous than the original.

This originates in the tradition of Schnodderdeutsch or Schnoddersynchron , a form of dubbing invented in the s by voice actor Rainer Brandt.

Since American TV series and movies are highly popular in Germany and are almost always dubbed into German, voice actors sooner or later find jokes, wordplays and irony getting lost in translation.

Brandt, though, dealt with slang phrases in American movies by not literally translating them, but instead inventing phrases that were funny only in a German language context, thereby considerably altering the meaning of the English version: when the German language did not offer a way to translate both the literal meaning and the humour hidden in it, new jokes and contexts were thought up to maintain the humour rather than the context.

As time went on, this style became more and more independent and daring, culminating in the German version of the TV series The Persuaders!

This was due to the vast changes that the program underwent during the German dubbing process, that under Brandt's supervision transformed the show into a much more comedy-oriented spy persiflage contrasting the more subdued, mild humour of the English language original.

A quite astounding example of Schnoddersynchron has been performed with Monty Python's Die Ritter der Kokosnuss that is, Monty Python and the Holy Grail where the initial dialogue contains phrases such as: Heda!

Wer reitet so spät durch Nacht und Wind? Who rides so late through night and wind? But Schnoddersynchron has become rare nowadays, with primarily comedic programs employing it for practical reasons, like the German dub of Mystery Science Theater 's feature film, Mystery Science Theater The Movie.

Because the German dubbing of This Island Earth , the movie spoofed by this film, already varied greatly from the English original, a huge portion of the original jokes commenting on the film became obsolete.

To deal with this matter, a group of German comedians Oliver Kalkofe and Oliver Welke , among others were assigned to create a dub that better addressed the German version of the spoofed film.

This version, therefore, was actually meant to differ in parts from the original text and in consequence was also given the freedom to refer profusely to German culture, like Servo finding an issue of German children's magazine Yps in his room and the group alluding to the music of German organist Franz Lambert during the opening credits.

On other occasions, though, puns addressing the films' visuals, or meant for moments in which the English and German text of the original movie actually coincide, were translated literally most of the time, as far as the humour could be transported.

Apart from comedic films and programs, German internet culture has developed the tradition further into so-called Fandubs. A more recent popular example of these fan-made dubs would be the Harry Potter und ein Stein -series, [11] in which the three main protagonists are portrayed as immoral, sexually disoriented teenagers, who are constantly annoyed by their surroundings, while the teachers either portray a parody on strict and outdated social orders, behave immaturely, or act in a sexually inappropriate way towards children.

Another popular example would be the viral internet video Lord of the Weed , a redub of the first hour of Peter Jackson's The Lord of the Rings: The Fellowship of the Ring , interpreting the pipe smoking Hobbits as drug addicts who go on a journey to find a ring that can produce endless amounts of cannabis.

Occasionally even original German programmes are being redubbed and brought into humorous context, like a TV commercial accompanying the advertising campaign Du bist Deutschland.

In a popular but criticised article in , English comedian Stewart Lee put forward the theory that misconceptions about German humour among English speakers might derive from differences between the English and German languages.

Direct translation is often possible, but is often perceived as artificial, and many puns are lost in translation.